Orient BlackSwan

About the BookAbout the AuthorExperts Say

India’s poets have been among the finest writers of English prose—earlier, Henry Derozio and Toru Dutt; more recently, Nissim Ezekiel, A.K. Ramanujan, Dom Moraes, and Adil Jussawalla. Writers of this kind, representing the ‘common reader’ tradition of unpretentious and jargon-free writing about literature and life, are something of a rarity in India. Arvind Krishna Mehrotra—renowned poet, critic, translator, editor, and anthologist—enriches an uncommon stream with this brilliant collection.

The essays gathered here, rich in literary detail and accessible insight, were written over the past thirty years. Among them are Mehrotra’s homage to his friend and fellow poet Arun Kolatkar; a perceptive appreciation of A.K. Ramanujan; a scathing scrutiny of R. Parthasarathy; a radical redefinition of the modern Indian poem; a literary-historical view of Kabir; and a wide-ranging introduction to the entire corpus of Indian writing in English from 1800 to the present.

Mehrotra, who has lived much of his life in Allahabad, writes also about the provincialization of India’s middle-sized cities, the decimation of cultural heritage across urban north India, and the joys and pains of growing up in a small town where everyone knew everyone.

Forthright in manner and cosmopolitan in their references, Mehrotra’s writings are an exceptional mix of the autobiographical and the literary, an antidote to the everyday annihilation of English prose by journalists at one end and literary critics at the other.

This is a book to be enjoyed, savoured, dipped into, and read—again and again.

ARVIND KRISHNA MEHROTRA was born in Lahore in 1947 and educated at the universities of Allahabad and Bombay. He has published four collections of poetry, two volumes of translations, and edited several books, including An Illustrated History of Indian Literature in English. He lives in Allahabad and Dehra Dun.

“These four autobiographies of artists and writers who shaped early Indian theatre during its most creative period are as riveting as the fare that the theatre itself provided. Kathryn Hansen’s lifelong and perceptive involvement with that rumbustious enterprise infuses every word of her translation of these texts.”

- Girish Karnad

“Kathryn Hansen has given us a special kind of book—one with many voices, on many layers, which cohere in a single, satisfying picture. Autobiographical accounts of early pioneers of the Parsi theatre are enriched by the author’s considerable knowledge of this theatre, its performance styles and people and languages. This well-produced book includes original thinking about a number of topics, including autobiographical writing in India, its history in India and first-person narratives as a form of cultural memory. The narratives themselves, which lie at the heart of the book, are lovingly translated, combining humour, flare and intimacy. They read as they were written and bring us inside this world where stages of life were sung and danced and spoken under the lights.”

- Stuart Blackburn