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cover

Wooden Cow

T. Janakiraman, Translated from the original Tamil by Lakshmi Kannan

₹ 575

View details

Imprint

Orient BlackSwan

Year of Publishing

2021

Number of pages

232

ISBN

9789354420146

Format

Paperback

Language

English

Dimensions

140 x 216 mm

Series

Literature in Translation

View details

Imprint

Orient BlackSwan

Year of Publishing

2017

ISBN

9789386392992

Format

eBook

Language

English

Series

Literature in Translation

Available on
  • the Book
  • the Author(s)
  • Table of Contents
  • In the Media

Wooden Cow, a translation of T. Janakiraman´s path-breaking novel Marappasu, is the coming-of-age story of a young, beautiful, intelligent, fiercely independent, yet deeply emotional woman who does not believe in the institution of marriage, or in human bondage of any kind, and her unconventional and volatile relationship with a renowned and gifted musician. Bound by their love of music, and their rejection of social morality, they have equally strong differences.

Ammani´s laughter is her ammunition against the many ironies of life and love, and a mask for her complex, tumultuous inner world—one which Janakiraman unravels with rare insight and empathy, but without judgement. In Ammani, we meet a modern, layered character who is unsettlingly real and credible and who, despite her contradictions, remains true to herself and endures.

Janakiraman belongs to the Manikkodi group of writers whose work established the foundations of modernism in Tamil literature. His language—distinctive of his birthplace Thanjavur—is colourful, playful and sensual, marked by simplicity and honesty. His sensitivity and courage in depicting the transience of human relationships, his astute observations of people and their motivations, his deeply musical ear and ability to weave Carnatic music into the interstices of everyday life, and his ever-present wry humour make this unusual novel both contemporary and timeless.

Lakshmi Kannan, an acclaimed writer and poet herself, absorbs the silences of the unsaid and recreates them seamlessly in translation. She evocatively brings to life small-town Tamil Nadu, especially Annavasal where Ammani grows up, and its whimsical, lovingly-etched inhabitants. This is a must-read for all lovers of literature.

+ Read more

The Author
T. Janakiraman (1921–82), affectionately known as Thi Jaa, is an iconic, widely read and revered Tamil writer, and one of the most influential figures of twentieth-century Tamil literature. A master of both the short story and the novel form, he won the Sahitya Akademi Award (1979) for his short story collection Sakthi Vaithiyam. Mohamul, Amma Vandhal and Marappasu are among his best known novels. Considered a modern classic, Mohamul was adapted for a film, and translated into Hindi by Bharatiya Jnanpith. Thi Jaa wrote, with P. G. Sunderarajan, the travelogue Nadandhai Vaazhi Kaaveri, tracing the historic journey of the river Kaveri; R. K. Narayan considered it one of the finest books in Tamil. It was translated into English as Eternal Kaveri: The Story of a River by K. Krishnamurthy (1993).

The Translator
Lakshmi Kannan (born 1947) is a well-known contemporary bilingual writer and poet who writes in English and Tamil under the pen-name ‘Kaaveri’. She has published twenty-seven books that include novels (The Glass Bead Curtain, 2016, reprint 2020), several collections of short fiction, poems, and translations. Sipping the Jasmine Moon (2019) is her fifth collection of poems. Her English translations of her own Tamil fiction include her novel Going Home (1999; Aathukku Poganum); India Gate and Other Stories (1993), Nandanvan and Other Stories (2011), and Genesis: Select Stories (2014). She received the ‘Ilakkiya Chintanai Award’ for Tamil short fiction, and the Katha Award for translation. She was a Charles Wallace Trust Writer in Residence at the University of Canterbury at Kent, UK (1994); a Fellow of the Indian Institute of Advanced Study, Shimla (1999); and a Sahitya Akademi Writer in Residence, Delhi (2009).

Foreword
Anita Balakrishnan is former professor and head, Department of English, Queen Mary´s College, Chennai.

+ Read more

Acknowledgements

The Cadence of Life
Anita Balakrishnan

A Dappled Deer or a Growling Leopard?
Lakshmi Kannan

Wooden Cow
PART I
PART II
Glossary

+ Read more
1. Review of Wooden Cow by Professor Shyamala A Narayan | Published in The Book Review, 02 February 2022.
2. Abhirami Girija Sriram's note on Wooden Cow in her article on Thi Ja | Frontline December 2021.
3. Book review by Somdatta Mandal | borderlessjournal.com, 14 October 2021.
4. The book review published | October 2021.
5. Book review published | museindia.com, 2021
+ Read more
  • the Book
  • the Author(s)
  • Table of Contents

Wooden Cow, a translation of T. Janakiraman´s path-breaking novel Marappasu, is the coming-of-age story of a young, beautiful, intelligent, fiercely independent, yet deeply emotional woman who does not believe in the institution of marriage, or in human bondage of any kind, and her unconventional and volatile relationship with a renowned and gifted musician. Bound by their love of music, and their rejection of social morality, they have equally strong differences.

Ammani´s laughter is her ammunition against the many ironies of life and love, and a mask for her complex, tumultuous inner world—one which Janakiraman unravels with rare insight and empathy, but without judgement. In Ammani, we meet a modern, layered character who is unsettlingly real and credible and who, despite her contradictions, remains true to herself and endures.

Janakiraman belongs to the Manikkodi group of writers whose work established the foundations of modernism in Tamil literature. His language—distinctive of his birthplace Thanjavur—is colourful, playful and sensual, marked by simplicity and honesty. His sensitivity and courage in depicting the transience of human relationships, his astute observations of people and their motivations, his deeply musical ear and ability to weave Carnatic music into the interstices of everyday life, and his ever-present wry humour make this unusual novel both contemporary and timeless.

Lakshmi Kannan, an acclaimed writer and poet herself, absorbs the silences of the unsaid and recreates them seamlessly in translation. She evocatively brings to life small-town Tamil Nadu, especially Annavasal where Ammani grows up, and its whimsical, lovingly-etched inhabitants. This is a must-read for all lovers of literature.

+ Read more

The Author
T. Janakiraman (1921–82), affectionately known as Thi Jaa, is an iconic, widely read and revered Tamil writer, and one of the most influential figures of twentieth-century Tamil literature. A master of both the short story and the novel form, he won the Sahitya Akademi Award (1979) for his short story collection Sakthi Vaithiyam. Mohamul, Amma Vandhal and Marappasu are among his best known novels. Considered a modern classic, Mohamul was adapted for a film, and translated into Hindi by Bharatiya Jnanpith. Thi Jaa wrote, with P. G. Sunderarajan, the travelogue Nadandhai Vaazhi Kaaveri, tracing the historic journey of the river Kaveri; R. K. Narayan considered it one of the finest books in Tamil. It was translated into English as Eternal Kaveri: The Story of a River by K. Krishnamurthy (1993).

The Translator
Lakshmi Kannan (born 1947) is a well-known contemporary bilingual writer and poet who writes in English and Tamil under the pen-name ‘Kaaveri’. She has published twenty-seven books that include novels (The Glass Bead Curtain, 2016, reprint 2020), several collections of short fiction, poems, and translations. Sipping the Jasmine Moon (2019) is her fifth collection of poems. Her English translations of her own Tamil fiction include her novel Going Home (1999; Aathukku Poganum); India Gate and Other Stories (1993), Nandanvan and Other Stories (2011), and Genesis: Select Stories (2014). She received the ‘Ilakkiya Chintanai Award’ for Tamil short fiction, and the Katha Award for translation. She was a Charles Wallace Trust Writer in Residence at the University of Canterbury at Kent, UK (1994); a Fellow of the Indian Institute of Advanced Study, Shimla (1999); and a Sahitya Akademi Writer in Residence, Delhi (2009).

Foreword
Anita Balakrishnan is former professor and head, Department of English, Queen Mary´s College, Chennai.

+ Read more

Acknowledgements

The Cadence of Life
Anita Balakrishnan

A Dappled Deer or a Growling Leopard?
Lakshmi Kannan

Wooden Cow
PART I
PART II
Glossary

+ Read more

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